The Grapevine series by Susan Lipper takes its name from Grapevine Branch, West Virginia, USA, a small community in which Lipper took up intermittent residency in the late 1980s and early 90s. With time, she was accepted as an inside member of this closed community and developed intimate relationships with its residents, whom she interviewed and then photographed with a medium-format camera.

Although Lipper’s images seem to be constructed within the established vocabulary of documentary photography, she broke from this tradition by granting her sitters the theatrical license to perform as actors—as versions of themselves that may or may not have been true. After printing the resulting images, Lipper reviewed them with her sitters so they could refine or alter their poses.

This collaborative process paradoxically fulfills a traditional documentary function by throwing the gender and class roles enacted in small-town America into greater relief and asks viewers to recall the images of rural American communities we hold in our collective visual memory. In Lipper’s photographs, each role, whether inhabited or performed, reveals itself to be artifice or fantasy as much as a means of personal expression.

In this way, Grapevine enacts a double manifestation of self, picturing both Lipper’s own psychic imagination—her creation and exploration of a fictional Eden removed from the reach of empty consumerism—and her subjects’ keen self-awareness in their posturing.

Susan Lipper is a New York based artist. She received her MFA from Yale University in 1983. Among the monographs on her work are Bed and Breakfast (2000), trip (1999) and GRAPEVINE (1994). Lipper is included, amongst other places, in the collections of the Metropolitan Museum of Art, New York City, the Museum of Contemporary Art, Los Angeles, and the Victoria and Albert Museum, London. She is the recipient of numerous awards, most recently the 2015 Guggenheim Fellowship.

 Exhibition in the main programme of the Krakow Photomonth Festival 2017.