Capella Cracoviensis and Vivica Genaux [CANCELED]

Saturday, January 1, 2022, 12:00 PM

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  • Saturday, January 1, 2022, 12:00 PM
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ATTENTION! The concert has been canceled!

Vivica Genaux is undoubtedly one of the greatest opera singers working today. Born in Alaska, she perfected her skill in Italy – home of bel canto – and soon she took the world of classical music by storm. The acclaimed mezzo-soprano has performed on some of the most famous stages, including New York’s Metropolitan Opera, Opéra Garnier in Paris and Staatsoper in Berlin, and her albums have earned her four Grammy nominations.

The Misteria Paschalia and Opera Rara festivals have introduced the singer to Cracovian audiences – and we will be able to hear her again on 1 January when she appears at the Juliusz Słowacki Theatre with the New Year's concert. She will be accompanied by Capella Cracoviensis performing on historic instruments; the programme includes arias from Vivaldi and Handel’s operas showcasing Genaux’ beloved Baroque repertoire.

There is no better start of the New Year!

Riccardo Broschi Son qual nave from the opera Artaserse
Nicola Porpora Alto Giove from the opera Polifemo
Georg Friedrich Handel Dopo notte from the opera Ariodante
Antonio Vivaldi / Geminiano Giacomelli Sposa, son disprezzata from the opera Bajazet
Antonio Vivaldi Agitata a due venti from the opera Griselda
Antonio Vivaldi Concerto in G minor for two cellos RV 531 

Vivica Genaux mezzo-soprano

Capella Cracoviensis on period instruments
Robert Bachara Jadwiga Czepielowska Zofia Wojniakiewicz Maciej Czepielowski Seojin Kim Agnieszka Świątkowska Marta Korbel Victoria Melik Paulina Woś Beata Nawrocka  Agnieszka Krawczyk Tomasz Góra  violin
Natalia Reichert Jacek Dumanowski Teresa Wydrzyńska Mariusz Grochowski viola
Tomasz Pokrzywiński Konrad Górka cello
Michał Bąk Rafał Gorczyński double bass
Gulio Quirici Frank Pschichholz theorbo

Jan Tomasz Adamus conductor

The Juliusz Słowacki Theatre

pl. Świętego Ducha 1

One of the most famous and most recognised Polish stages, it has operated continuously since 1893. The building of the Juliusz Słowacki Theatre is counted among the most precious examples of theatre architecture in Europe.

The building was erected in 1891–93 and it replaced the demolished church and monastery of the Holy Spirit. This resulted in quite an uproar among Kraków historians, conservationists, and artists: as a sign of protest, the painter Jan Matejko, who fervently fought to have the medieval architecture remain, gave up his title of honorary citizen of the city.

The new building of the Municipal Theatre designed by Jan Zawiejski was the largest architectural investment in 19th century Kraków, and – which is notable in itself – the first building in the city to receive electric lighting. Built in the eclectic style, it is dominated by neo-Renaissance and neo-baroque elements. In 1901, it was here that Stanisław Wyspiański’s seminal play about the predicament of partitioned Poland Wesele / The Wedding premiered in 1901.

Originally, the Municipal Theatre was to be named after Poland’s most celebrated writer of comedies, Count Aleksander Fredro, as attested by his bust standing before the main entrance, yet eventually it was named after Juliusz Słowacki in 1909, on the centenary of the birth of the Polish poet prophet.

The first presentation of the cinematograph in Poland was held on 14 November 1896 in what at the time was the Municipal Theatre. The invention of the Lumière brothers was used for screening a set of 12 films. Projections were held before the evening performance and enjoyed great popularity. At least 10,000 people saw them in the two following months, which means they attracted more or less every eighth resident of the city.

The contemporary Juliusz Słowacki also operates on the Miniatura Stage active in the former building of the theatre’s power plant since 1976, the modern Małopolska Garden of Arts on Rajska Street, House of Theatrical Crafts.

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